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Game of Thrones | |
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Genre | |
Created by | |
Based on | A Song of Ice and Fire by George R. R. Martin |
Starring | see List of Game of Thrones characters |
Theme music composer | Ramin Djawadi |
Opening theme | 'Main Title' |
Composer(s) | Ramin Djawadi |
Country of origin | United States |
Original language(s) | English |
No. of seasons | 8 |
No. of episodes | 73 (list of episodes) |
Production | |
Executive producer(s) |
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Producer(s) |
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Production location(s) | |
Running time | 50–82 minutes |
Production company(s) |
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Distributor | Warner Bros. Television Distribution |
Release | |
Original network | HBO |
Picture format | |
Audio format | Dolby Digital 5.1 |
Original release | April 17, 2011 – May 19, 2019 |
Chronology | |
Related shows | Thronecast After the Thrones |
External links | |
Website | |
Production website |
Game of Thrones is an American fantasydrama television series created by David Benioff and D. B. Weiss for HBO. It is an adaptation of A Song of Ice and Fire, George R. R. Martin's series of fantasy novels, the first of which is A Game of Thrones. The show was both produced and filmed in Belfast and elsewhere in the United Kingdom. Filming locations also included Canada, Croatia, Iceland, Malta, Morocco and Spain.[1] The series premiered on HBO in the United States on April 17, 2011, and concluded on May 19, 2019, with 73 episodes broadcast over eight seasons.
Set on the fictional continents of Westeros and Essos, Game of Thrones has several plots and a large ensemble cast, and follows several story arcs. One arc is about the Iron Throne of the Seven Kingdoms, and follows a web of alliances and conflicts among the noble dynasties either vying to claim the throne or fighting for independence from it. Another focuses on the last descendant of the realm's deposed ruling dynasty, who has been exiled and is plotting a return to the throne, while another story arc follows the Night's Watch, a brotherhood defending the realm against the fierce peoples and legendary creatures of the North.
Game of Thrones attracted a record viewership on HBO and has a broad, active, international fan base. It has been acclaimed by critics, particularly for its acting, complex characters, story, scope, and production values, although its frequent use of nudity and violence (including sexual violence) has been criticized. The series received 47 Primetime Emmy Awards, the most by a drama series, including Outstanding Drama Series in 2015, 2016, and 2018. Its other awards and nominations include three Hugo Awards for Best Dramatic Presentation (2012–2014), a 2011 Peabody Award, and five nominations for the Golden Globe Award for Best Television Series – Drama (2012 and 2015–2018).
How to download game boy advance. Of the ensemble cast, Peter Dinklage has won three Primetime Emmy Awards for Outstanding Supporting Actor in a Drama Series (2011, 2015 and 2018) and the Golden Globe Award for Best Supporting Actor – Series, Miniseries or Television Film (2012) for his performance as Tyrion Lannister. Lena Headey, Emilia Clarke, Kit Harington, Maisie Williams, Nikolaj Coster-Waldau, Diana Rigg, and Max von Sydow have also received Primetime Emmy Award nominations for their performances.
- 1Background
- 3Production
- 4Availability
- 5Reception and achievements
- 5.2Critical response
- 6Other media and products
Background
Power and violence are central themes of Game of Thrones, and the number of weapons made for the series (some of which are shown here) reflects this.
Setting
Game of Thrones is roughly based on the storylines of A Song of Ice and Fire,[2][3] set in the fictional Seven Kingdoms of Westeros and the continent of Essos. The series chronicles the violent dynastic struggles among the realm's noble families for the Iron Throne, while other families fight for independence from it. It opens with additional threats in the icy North and Essos in the east.[4]
Showrunner David Benioff jokingly suggested 'The Sopranos in Middle-earth' as Game of Thrones'tagline, referring to its intrigue-filled plot and dark tone in a fantasy setting of magic and dragons.[5] In a 2012 study, out of 40 recent TV drama shows, Game of Thrones ranked second in deaths per episode, averaging 14 deaths.[6]
Themes
The series is generally praised for what is perceived as a sort of medieval realism.[7][8] George R.R. Martin set out to make the story feel more like historical fiction than contemporary fantasy, with less emphasis on magic and sorcery and more on battles, political intrigue, and the characters, believing that magic should be used moderately in the epic fantasy genre.[9][10][11] Martin has stated that 'the true horrors of human history derive not from orcs and Dark Lords, but from ourselves.'[12]
A common theme in the fantasy genre is the battle between good and evil, which Martin says does not mirror the real world.[13] Just like people's capacity for good and for evil in real life, Martin explores the questions of redemption and character change.[14] The series allows the audience to view different characters from their perspective, unlike in many other fantasies, and thus the supposed villains can provide their side of the story.[11][15] Benioff said, 'George brought a measure of harsh realism to high fantasy. He introduced gray tones into a black-and-white universe.'[11]
In early seasons, under the influence of the A Song of Ice and Fire books, main characters were regularly killed off, and this was credited with developing tension among viewers.[16] In later seasons, critics pointed out that certain characters had developed 'plot armor' to survive in unlikely circumstances, and attributed this to Game of Thrones deviating from the novels to become more of a traditional television series.[16] The series also reflects the substantial death rates in war.[17][18]
Inspirations and derivations
Although the first season closely follows the events of the first novel, later seasons have made significant changes. According to David Benioff, the series is 'about adapting the series as a whole and following the map George laid out for us and hitting the major milestones, but not necessarily each of the stops along the way'.[19]
The novels and their adaptations base aspects of their settings, characters, and plot on events in European history.[20] Most of Westeros is reminiscent of high medieval Europe, from lands and cultures,[21] to the palace intrigue, feudal system, castles, and knightly tournaments. A principal inspiration for the novels is the English Wars of the Roses[22] (1455–85) between the houses of Lancaster and York, reflected in Martin's houses of Lannister and Stark. The scheming Cersei Lannister evokes Isabella, the 'she-wolf of France' (1295–1358).[20] She and her family, as portrayed in Maurice Druon's historical novel series, The Accursed Kings, were a main inspiration of Martin's.[23]
Other historical antecedents of series elements include Hadrian's Wall (which becomes Martin's Wall), the Roman Empire, and the legend of Atlantis (ancient Valyria), Byzantine Greek fire ('wildfire'), Icelandic sagas of the Viking Age (the Ironborn), the Mongol hordes (the Dothraki), the Hundred Years' War, and the Italian Renaissance.[20] The series' popularity has been attributed, in part, to Martin's skill at fusing these elements into a seamless, credible version of alternate history.[20] Martin acknowledges, 'I take [history] and I file off the serial numbers and I turn it up to 11.'[24]
Cast and characters
Game of Thrones has an ensemble cast estimated to be the largest on television;[25] during its third season, 257 cast names were recorded.[26] In 2014, several actor contracts were renegotiated to include a seventh-season option, with raises which reportedly made them among the highest-paid performers on cable TV.[27] In 2016, several actor contracts were again renegotiated, reportedly increasing the salary of five of the main cast members to £2million per episode for the last two seasons, which would make them the highest paid actors on television.[28][29] The main cast is listed below.[30]
Lord Eddard 'Ned' Stark (Sean Bean) is the head of House Stark, whose members are involved in plotlines throughout most of the series. He and his wife, Catelyn Tully (Michelle Fairley), have five children: Robb (Richard Madden), the eldest; followed by Sansa (Sophie Turner), Arya (Maisie Williams), Bran (Isaac Hempstead-Wright), and Rickon (Art Parkinson). Ned's illegitimate son Jon Snow (Kit Harington) and his friend Samwell Tarly (John Bradley) serve in the Night's Watch under Lord Commander Jeor Mormont (James Cosmo). The Wildlings living north of the Wall include the young Gilly (Hannah Murray), and the warriors Tormund Giantsbane (Kristofer Hivju) and Ygritte (Rose Leslie).[31]
Others associated with House Stark include Ned's ward Theon Greyjoy (Alfie Allen), his vassalRoose Bolton (Michael McElhatton), and Bolton's bastard son Ramsay Snow (Iwan Rheon). Robb falls in love with the healer Talisa Maegyr (Oona Chaplin), and Arya befriends the blacksmith's apprentice Gendry (Joe Dempsie) and the assassin Jaqen H'ghar (Tom Wlaschiha). The tall warrior Brienne of Tarth (Gwendoline Christie) serves Catelyn and, later, Sansa.[31]
In King's Landing, the capital, Ned's friend King Robert Baratheon (Mark Addy), shares a loveless marriage with Cersei Lannister (Lena Headey), who has taken her twin brother, the 'Kingslayer' Ser Jaime Lannister (Nikolaj Coster-Waldau), as her lover. She loathes her younger brother, the dwarf Tyrion Lannister (Peter Dinklage), who is attended by his mistress Shae (Sibel Kekilli) and the sellswordBronn (Jerome Flynn). Cersei's father is Lord Tywin Lannister (Charles Dance), and she also has two young sons: Joffrey (Jack Gleeson) and Tommen (Dean-Charles Chapman). Joffrey is guarded by the scar-faced warrior Sandor 'the Hound' Clegane (Rory McCann).[31]
The king's Small Council of advisors includes the crafty Master of Coin Lord Petyr 'Littlefinger' Baelish (Aidan Gillen) and the eunuch spymaster Lord Varys (Conleth Hill). Robert's brother Stannis Baratheon (Stephen Dillane) is advised by foreign priestess Melisandre (Carice van Houten) and former smuggler Ser Davos Seaworth (Liam Cunningham). The wealthy Tyrell family is represented at court by Margaery Tyrell (Natalie Dormer). The High Sparrow (Jonathan Pryce) is the capital's religious leader. In the southern principality of Dorne, Ellaria Sand (Indira Varma) seeks vengeance against the Lannisters.[31]
Across the Narrow Sea, siblings Viserys (Harry Lloyd) and Daenerys Targaryen (Emilia Clarke) – the exiled children of the last king of the original ruling dynasty, who was overthrown by Robert Baratheon – are running for their lives and trying to win back the throne. Daenerys marries Khal Drogo (Jason Momoa), the leader of the nomadic Dothraki. Her retinue includes the exiled knight Ser Jorah Mormont (Iain Glen), her aide Missandei (Nathalie Emmanuel), the sellsword Daario Naharis (Michiel Huisman), and Grey Worm (Jacob Anderson), who leads Daenerys' army of elite eunuch-warriors, the Unsullied.[31]
Production
Conception and development
Showrunners D. B. Weiss and David Benioff created the series, wrote most of its episodes and directed several.
In January 2006, David Benioff had a phone conversation with George R. R. Martin's literary agent about the books he represented and became interested in A Song of Ice and Fire, as he had been a fan of fantasy fiction when young but had not read the books before. The literary agent then sent Benioff the series' first four books.[32] Benioff read a few hundred pages of the first novel, A Game of Thrones, shared his enthusiasm with D. B. Weiss, and suggested that they adapt Martin's novels into a television series; Weiss finished the first novel in 'maybe 36 hours'.[33] They pitched the series to HBO after a five-hour meeting with Martin (himself a veteran screenwriter) in a restaurant on Santa Monica Boulevard. According to Benioff, they won Martin over with their answer to his question, 'Who is Jon Snow's mother?'[34]
I had worked in Hollywood myself for about 10 years, from the late '80s to the '90s. I'd been on the staff of The Twilight Zone and Beauty and the Beast. All of my first drafts tended to be too big or too expensive. I always hated the process of having to cut. I said, 'I'm sick of this, I'm going to write something that's as big as I want it to be, and it's going to have a cast of characters that go into the thousands, and I'm going to have huge castles, and battles, and dragons.
—George R. R. Martin, author[35]
Before being approached by Benioff and Weiss, Martin had had other meetings with other scriptwriters, most of whom wanted to adapt the series as a feature film. Martin, however, deemed it 'unfilmable' and impossible to be done as a feature film, stating that the size of one of his novels is as long as The Lord of the Rings, which had been adapted as three feature films.[35] Similarly, Benioff also said that it would be impossible to turn the novels into a feature film as the scale of the novels is too big for a feature film, and dozens of characters would have to be discarded. Benioff added, 'a fantasy movie of this scope, financed by a major studio, would almost certainly need a PG-13 rating. That means no sex, no blood, no profanity. Fuck that.'[11] Martin himself was pleased with the suggestion that they adapt it as an HBO series, saying that he 'never imagined it anywhere else'.[36] 'I knew it couldn't be done as a network television series. It's too adult. The level of sex and violence would never have gone through.'[35]
The series began development in January 2007.[2] HBO acquired the TV rights to the novels, with Benioff and Weiss as its executive producers, and Martin as a co-executive producer. The intention was for each novel to yield a season's worth of episodes.[2] Initially, Martin would write one episode per season while Benioff and Weiss would write the rest of the episodes.[2][37]Jane Espenson and Bryan Cogman were later added to write one episode apiece the first season.[4]
The first and second drafts of the pilot script by Benioff and Weiss were submitted in August 2007[38] and June 2008,[39] respectively. Although HBO liked both drafts,[39][40] a pilot was not ordered until November 2008;[41] the 2007–2008 Writers Guild of America strike may have delayed the process.[40] The pilot episode, 'Winter Is Coming', was first shot in 2009; after a poor reception in a private viewing, HBO demanded an extensive re-shoot (about 90 percent of the episode, with cast and directorial changes).[34][42]
The pilot reportedly cost HBO US$5–10million to produce,[43] while the first season's budget was estimated at $50–60million.[44] In the second season, the series received a 15-percent budget increase for the climactic battle in 'Blackwater' (which had an $8million budget).[45][46] Between 2012 and 2015, the average budget per episode increased from $6million[47] to 'at least' $8million.[48] The sixth-season budget was over $10million per episode, for a season total of over $100million and a series record.[49]
Casting
Nina Gold and Robert Sterne are the series' primary casting directors.[50] Through a process of auditions and readings, the main cast was assembled. The only exceptions were Peter Dinklage and Sean Bean, whom the writers wanted from the start; they were announced as joining the pilot in 2009.[51][52] Other actors signed for the pilot were Kit Harington as Jon Snow, Jack Gleeson as Joffrey Baratheon, Harry Lloyd as Viserys Targaryen, and Mark Addy as Robert Baratheon.[52][53] Addy was, according to showrunners Benioff and Weiss, the easiest actor to cast for the series, due to his audition performance.[54] Some of the characters in the pilot were recast for the first season: Catelyn Stark was initially played by Jennifer Ehle, but the role was recast with Michelle Fairley.[55]Daenerys Targaryen was also recast, with Emilia Clarke replacing Tamzin Merchant.[56][57] The rest of the first season's cast was filled in the second half of 2009.[58]
Although many of the cast returned after the first season, the producers had many new characters to cast for each of the following seasons. Due to the large number of new characters, Benioff and Weiss postponed the introduction of several key characters in the second season and merged several characters into one or assigned plot functions to different characters.[25] Some recurring characters were recast over the years; for example, Gregor Clegane was played by three different actors, while Dean-Charles Chapman who played Tommen Baratheon also played a minor Lannister character.[59]
Writing
George R. R. Martin, author of A Song of Ice and Fire, is a series co-executive producer and wrote one episode for each of the first four seasons.
Game of Thrones used seven writers in six seasons. Series creators David Benioff and D. B. Weiss, the showrunners, write most of the episodes each season.[60]
A Song of Ice and Fire author George R. R. Martin wrote one episode in each of the first four seasons. Martin did not write an episode for the later seasons, since he wanted to focus on completing the sixth novel (The Winds of Winter).[61]Jane Espenson co-wrote one first-season episode as a freelance writer.[62]
Bryan Cogman, initially a script coordinator for the series,[62] was promoted to producer for the fifth season. Cogman, who wrote at least one episode for the first five seasons, is the only other writer in the writers' room with Benioff and Weiss. Before his promotion, Vanessa Taylor (a writer during the second and third seasons) worked closely with Benioff and Weiss. Dave Hill joined the writing staff for the fifth season after working as an assistant to Benioff and Weiss.[63] Although Martin is not in the writers' room, he reads the script outlines and makes comments.[60]
Benioff and Weiss sometimes assign characters to particular writers; for example, Cogman was assigned to Arya Stark for the fourth season. The writers spend several weeks writing a character outline, including what material from the novels to use and the overarching themes. After these individual outlines are complete, they spend another two to three weeks discussing each main character's individual arc and arranging them episode by episode.[60]
A detailed outline is created, with each of the writers working on a portion to create a script for each episode. Cogman, who wrote two episodes for the fifth season, took a month and a half to complete both scripts. They are then read by Benioff and Weiss, who make notes, and parts of the script are rewritten. All ten episodes are written before filming begins since they are filmed out of order with two units in different countries.[60]
Benioff and Weiss write each of their episodes together, with one of them writing the first half of the script and the other the second half. After that they begin with passing the drafts back and forth to make notes and rewrite parts of it.[36]
Adaptation schedule and episodes
After Game of Thrones began outpacing the published novels in the sixth season, the series was based on a plot outline of the future novels provided by Martin[64] and original content. In April 2016, the showrunners' plan was to shoot 13 more episodes after the sixth season: seven episodes in the seventh season and six episodes in the eighth.[65] Later that month, the series was renewed for a seventh season with a seven-episode order.[66][67] Eight seasons were ordered and filmed, adapting the novels at a rate of about 48 seconds per page for the first three seasons.[68]
Season | Ordered | Filming | First aired | Last aired | Novel(s) adapted | Refs |
---|---|---|---|---|---|---|
Season 1 | March 2, 2010 | Second half of 2010 | April 17, 2011 | June 19, 2011 | A Game of Thrones | [69] |
Season 2 | April 19, 2011 | Second half of 2011 | April 1, 2012 | June 3, 2012 | A Clash of Kings and some early chapters from A Storm of Swords | [70][71] |
Season 3 | April 10, 2012 | July – November 2012 | March 31, 2013 | June 9, 2013 | About the first two-thirds of A Storm of Swords | [72][73][74] |
Season 4 | April 2, 2013 | July – November 2013 | April 6, 2014 | June 15, 2014 | The remaining one-third of A Storm of Swords and some elements from A Feast for Crows and A Dance with Dragons | [75][76] |
Season 5 | April 8, 2014 | July – December 2014 | April 12, 2015 | June 14, 2015 | A Feast for Crows, A Dance with Dragons and original content, with some late chapters from A Storm of Swords and elements from The Winds of Winter | [77][78] [79][80][81] |
Season 6 | April 8, 2014 | July – December 2015 | April 24, 2016 | June 26, 2016 | Original content and outline from The Winds of Winter, with some late elements from A Feast for Crows and A Dance with Dragons | [77][82] [83][84] |
Season 7 | April 21, 2016 | August 2016 – February 2017 | July 16, 2017 | August 27, 2017 | Original content and outline from The Winds of Winter and A Dream of Spring | [65][66] [67][83][85] |
Season 8 | July 30, 2016 | October 2017 – July 2018 | April 14, 2019 | May 19, 2019 | Original content and outline from The Winds of Winter and A Dream of Spring | [86][83] [87][88][89][90] |
The first two seasons adapted one novel each. For the later seasons, its creators see Game of Thrones as an adaptation of A Song of Ice and Fire as a whole rather than the individual novels;[91] this enables them to move events across novels, according to screen-adaptation requirements.[92]
Filming
The Azure Window at Ras-id-Dwerja, on Gozo, was the site of the Dothraki wedding in season one.
Principal photography for the first season was scheduled to begin on July 26, 2010,[4] and the primary location was the Paint Hall Studios in Belfast, Northern Ireland.[93] Exterior scenes in Northern Ireland were filmed at Sandy Brae in the Mourne Mountains (standing in for Vaes Dothrak), Castle Ward (Winterfell), Saintfield Estates (the Winterfell godswood), Tollymore Forest (outdoor scenes), Cairncastle (the execution site), the Magheramorne quarry (Castle Black), and Shane's Castle (the tourney grounds).[94]Doune Castle in Stirling, Scotland, was also used in the original pilot episode for scenes at Winterfell.[95] The producers initially considered filming the whole series in Scotland, but decided on Northern Ireland because of the availability of studio space.[96]
The first season's southern scenes were filmed in Malta, a change in location from the pilot episode's Moroccan sets.[4] The city of Mdina was used for King's Landing. Filming was also done at Fort Manoel (representing the Sept of Baelor), at the Azure Window on the island of Gozo (the Dothraki wedding site) and at San Anton Palace, Fort Ricasoli, Fort St. Angelo and St. Dominic monastery (all used for scenes in the Red Keep).[94]
The walled city of Dubrovnik became King's Landing in season two.
Filming of the second season's southern scenes shifted from Malta to Croatia, where the city of Dubrovnik and nearby locations allowed exterior shots of a walled, coastal medieval city. The Walls of Dubrovnik and Fort Lovrijenac were used for scenes in King's Landing, though, exteriors of some local buildings, for example, the Red Keep and the Sept of Baelor, are computer-generated.[97] The island of Lokrum, the St. Dominic monastery in the coastal town of Trogir, the Rector's Palace in Dubrovnik, and the Dubac quarry (a few kilometers east) were used for scenes set in Qarth. Scenes set north of the Wall, in the Frostfangs and at the Fist of the First Men, were filmed in November 2011 in Iceland: on the Vatnajökull glacier near Smyrlabjörg, the Svínafellsjökull glacier near Skaftafell and the Mýrdalsjökull glacier near Vik on Höfðabrekkuheiði.[94][98]
Third-season production returned to Dubrovnik, with the Walls of Dubrovnik, Fort Lovrijenac and nearby locations again used for scenes in King's Landing and the Red Keep. Trsteno Arboretum, a new location, is the garden of the Tyrells in King's Landing. The third season also returned to Morocco (including the city of Essaouira) to film Daenerys' scenes in Essos.[99]Dimmuborgir and the Grjótagjá cave in Iceland were used as well.[98] One scene, with a live bear, was filmed in Los Angeles.[100] The production used three units (Dragon, Wolf and Raven) filming in parallel, six directing teams, 257 cast members and 703 crew members.[26]
Ballintoy Harbour was Lordsport on the Iron Islands.
The fourth season returned to Dubrovnik and included new locations, including Diocletian's Palace in Split, Klis Fortress north of Split, Perun quarry east of Split, the Mosor mountain range, and Baška Voda further south.[101]Thingvellir National Park in Iceland was used for the fight between Brienne and the Hound.[98] Filming took 136 days and ended on November 21, 2013.[102] The fifth season added Seville, Spain, used for scenes of Dorne, as well as Córdoba.[103]
The sixth season, which began filming in July 2015, returned to Spain and filmed in Navarra, Guadalajara, Seville, Almeria, Girona and Peniscola.[104] Filming also returned to Dubrovnik, Croatia.[105]
Filming of the seven episodes of season 7 began on August 31, 2016, at Titanic Studios in Belfast, with other filming in Iceland, Northern Ireland and many locations in Spain,[106] including Seville, Cáceres, Almodovar del Rio, Santiponce, Zumaia and Bermeo.[107] The series also filmed in Dubrovnik, which is used for location of King's Landing.[108] Filming continued until the end of February 2017 as necessary to ensure winter weather in some of the European locations.[109]
Directing
Each ten-episode season of Game of Thrones has four to six directors, who usually direct back-to-back episodes. Alan Taylor has directed seven episodes, the most episodes of the series. Alex Graves, David Nutter, Mark Mylod, and Jeremy Podeswa have directed six each. Daniel Minahan directed five episodes, and Michelle MacLaren, Alik Sakharov, and Miguel Sapochnik directed four each; MacLaren is also the only female director in the entire series' run.[110]Brian Kirk directed three episodes during the first season, and Tim Van Patten directed the series' first two episodes. Neil Marshall directed two episodes, both with large battle scenes: 'Blackwater' and 'The Watchers on the Wall'. Other directors have been Jack Bender, David Petrarca, Daniel Sackheim, Michael Slovis and Matt Shakman.[111] David Benioff and D. B. Weiss have directed two episodes together but only credited one each episode, which was determined after a coin toss.[63][31]
Technical aspects
Alik Sakharov was the pilot's cinematographer. The series has had a number of cinematographers,[112] and has received seven Primetime Emmy Award for Outstanding Cinematography for a Single-Camera Series nominations.[113]
Oral Norrey Ottey, Frances Parker, Martin Nicholson, Crispin Green, Tim Porter and Katie Weiland have edited the series for a varying number of episodes. Weiland received a Primetime Emmy Award for Outstanding Single-Camera Picture Editing for a Drama Series in 2015.[113]
Costumes
The costumes of Ygritte, Jon Snow and Tormund Giantsbane reflect the harsh climate in which they are worn.
Dresses worn at the royal court in King's Landing indicate their wearers' wealth and status.
Functional weapons and armor, like Brienne of Tarth's (left), were manufactured for the series.
Michele Clapton was costume designer for Game of Thrones' first five seasons before she was replaced by April Ferry.[114] Clapton returned to the series as costume designer for the seventh season.[115]
The costumes used in the series drew inspiration from a number of sources, such as Japanese and Persian armour. Dothraki dress resembles that of the Bedouin (one was made out of fish skins to resemble dragon scales), and the Wildlings wear animal skins like the Inuit.[116] Wildling bone armor is made from molds of actual bones, and is assembled with string and latex resembling catgut.[117] Although the extras who play Wildlings and the Night's Watch often wear hats (normal in a cold climate), members of the principal cast usually do not so viewers can recognize the main characters. Björk's Alexander McQueen high-neckline dresses inspired Margaery Tyrell's funnel-neck outfit, and prostitutes' dresses are designed for easy removal.[116] All clothing used is aged for two weeks so it appears realistic on high-definition television.[117]
About two dozen wigs are used for the actresses. Made of human hair and up to 2 feet (61 cm) in length, they cost up to $7,000 each and are washed and styled like real hair. Applying the wigs is time-consuming; Emilia Clarke, for example, requires about two hours to style her brunette hair with a platinum-blonde wig and braids. Other actors, such as Jack Gleeson and Sophie Turner, receive frequent hair coloring. For characters such as Daenerys (Clarke) and her Dothraki, their hair, wigs and costumes are processed to appear as if they have not been washed for weeks.[116]
Makeup
For the first three seasons, Paul Engelen was Game of Thrones' main makeup designer and prosthetic makeup artist with Melissa Lackersteen, Conor O'Sullivan, and Rob Trenton. At the beginning of the fourth season Engelen's team was replaced by Jane Walker and her crew, composed of Ann McEwan and Barrie and Sarah Gower.[113][118]
Visual effects
For the series' large number of visual effects, HBO hired British-based BlueBolt and Irish-based Screen Scene for season one. Most of the environment builds were done as 2.5D projections, giving viewers perspective while keeping the programming from being overwhelming.[119] In 2011, the season-one finale, 'Fire and Blood', was nominated for a Primetime Emmy Award for Outstanding Special Visual Effects.[113]
Because the effects became more complex in subsequent seasons (including CGI creatures, fire, and water), German-based Pixomondo became the lead visual-effects producer; nine of its twelve facilities contributed to the project for season two, with Stuttgart the lead.[120][121] Scenes were also produced by British-based Peanut FX, Canadian-based Spin VFX, and US-based Gradient Effects. 'Valar Morghulis' and 'Valar Dohaeris' earned Pixomondo Primetime Emmy Awards for Outstanding Special Visual Effects in 2012 and 2013, respectively.[113]
For season four, HBO added German-based Mackevision to the project.[122] The season-four finale, 'The Children', won the 2014 Emmy Award for Visual Effects. Additional producers for season four included Canadian-based Rodeo FX, German-based Scanline VFX and US-based BAKED FX. The muscle and wing movements of the adolescent dragons in seasons four and five were based largely on those of a chicken. Pixomondo retained a team of 22 to 30 people which focused solely on visualizing Daenerys Targaryen's dragons, with the average production time per season of 20 to 22 weeks.[123] For the fifth season, HBO added Canadian-based Image Engine and US-based Crazy Horse Effects to its list of main visual-effects producers.[124][125]
Sound
Unusual for a television series, the sound team receives a rough cut of a full season and approaches it as a ten-hour feature film. Although seasons one and two had different sound teams, one team has been in charge of sound since then.[126] For the series' blood-and-gore sounds, the team often uses a chamois. For dragon screams, mating tortoises and dolphin, seal, lion and bird sounds have been used.[127]
Title sequence
The series' title sequence was created by production studio Elastic for HBO. Creative directorAngus Wall and his collaborators received the 2011 Primetime Emmy Award for Main Title Design for the sequence,[128] which depicts a three-dimensional map of the series' fictional world. The map is projected on the inside of a sphere which is centrally lit by a small sun in an armillary sphere.[129] As the camera moves across the map, focusing on the locations of the episode's events, clockwork mechanisms intertwine and allow buildings and other structures to emerge from the map. Accompanied by the title music, the names of the principal cast and creative staff appear. The sequence concludes after about 90 seconds with the title card and brief opening credits indicating the episode's writer(s) and director. Its composition changes as the story progresses, with new locations replacing those featuring less prominently or not at all.[129][130][131]
Music
Ramin Djawadi composed the Game of Thrones score.
The music for the series was composed by Ramin Djawadi. The first season's soundtrack, written in about ten weeks before the premiere,[132] was published by Varèse Sarabande in June 2011.[133] Soundtrack albums for subsequent seasons have been released, with tracks by the National, the Hold Steady, and Sigur Rós.[134] Djawadi has composed themes for each of the major houses and also for some of the main characters.[135] The themes may evolve over time, as Daenerys Targaryen's theme started small and then became more powerful after each season. Her theme started first with a single instrument, a cello, and Djawadi later incorporated more instruments for it.[135]
Language
The Westerosi characters of Game of Thrones speak British-accented English, often (but not consistently) with the accent of the English region corresponding to the character's Westerosi region. The Northerner Eddard Stark speaks in actor Sean Bean's native northern accent, and the southern lord Tywin Lannister speaks with a southern accent, while characters from Dorne speak English with a Spanish accent.[136][137] Characters foreign to Westeros often have a non-British accent.[138]
Although the common language of Westeros is represented as English, the producers charged linguist David J. Peterson with constructingDothraki and Valyrian languages based on the few words in the novels;[139] Dothraki and Valyrian dialogue is often subtitled in English. It has been reported that during the series these fictional languages have been heard by more people than the Welsh, Irish, and Scots Gaelic languages combined.[140]
Effect on location
Game of Thrones is funded by Northern Ireland Screen, a UK government agency financed by Invest NI and the European Regional Development Fund.[141] As of April 2013, Northern Ireland Screen gave the series £9.25million ($14.37million); according to government estimates, this has benefited the Northern Ireland economy by £65million ($100.95million).[142]
Tourism Ireland has a Game of Thrones-themed marketing campaign similar to New Zealand's Tolkien-related advertising.[143][144] Invest NI and the Northern Ireland Tourist Board also expect the series to generate tourism revenue.[142] According to Arlene Foster, the series has given Northern Ireland the most non-political publicity in its history.[145] The production of Game of Thrones and other TV series also boosted Northern Ireland's creative industries, contributing to an estimated 12.4-percent growth in arts, entertainment, and recreation jobs between 2008 and 2013 (compared with 4.3percent in the rest of the UK during the same period).[146] In September 2018, after the filming had finished, HBO announced plans to convert its filming locations in Northern Ireland into tourist attractions to be opened in 2019.[147]
Tourism organizations elsewhere reported increases in bookings after their locations appeared in Game of Thrones. In 2012, bookings through LateRooms.com increased by 28 percent in Dubrovnik and 13 percent in Iceland. The following year, bookings doubled in Ouarzazate, Morocco (the location of Daenerys' season-three scenes).[148]Game of Thrones has been attributed as a significant factor in the boom of tourism in Iceland that had a strong impact on its economy. Tourist numbers increased by 30% in 2015, followed by another 40% in 2016,[149] with a final figure of 2.4million visitors expected for 2016, which is around seven times the population of the country.[150] However, the increase in tourism to Dubrovnik, with Game of Thrones estimated to be responsible for half of its annual increase over many years, had led to concerns on 'over-tourism' and its mayor to impose limits on tourist number in the city.[151][152]
Availability
Broadcast
Game of Thrones is broadcast by HBO in the United States and by its local subsidiaries or other pay television services in other countries, at the same time as in the US or weeks (or months) later. The series' broadcast in China on CCTV, begun in 2014, was heavily edited to remove scenes of sex and violence, in accordance with a Chinese practice of censoring Western television series to prevent what the People's Daily called 'negative effects and hidden security dangers'. This resulted in viewer complaints about the incoherence of what remained.[153] Broadcasters carrying Game of Thrones include Showcase in Australia; HBO Canada, Super Écran, and Showcase in Canada; HBO Latin America in Latin America; SoHo and Prime in New Zealand, and Sky Atlantic in the United Kingdom and Ireland.[154]
Home media
The ten episodes of the first season of Game of Thrones were released as a DVD and Blu-raybox set on March 6, 2012. The box set includes extra background and behind-the-scenes material but no deleted scenes, since nearly all the footage shot for the first season was used.[155] The box set sold over 350,000 copies in the first week after release, the largest first-week DVD sales ever for an HBO series, and the series set an HBO-series record for digital-download sales.[156] A collector's-edition box set was released in November 2012, combining the DVD and Blu-ray versions of the first season with the first episode of season two. A paperweight in the shape of a dragon egg is included in the set.[157]
DVD-Blu-ray box sets and digital downloads of the second season became available on February 19, 2013.[158] First-day sales broke HBO records, with 241,000 box sets sold and 355,000 episodes downloaded.[159] The third season was made available for purchase as a digital download on the Australian iTunes Store, parallel to the US premiere, and was released on DVD and Blu-ray in region 1 on February 18, 2014.[160][161] The fourth season was released on DVD and Blu-ray on February 17, 2015,[162] and the fifth season on March 15, 2016.[163] The sixth season was released on Blu-ray and DVD on November 15, 2016.[164] The seventh season was released on Blu-ray and DVD on December 12, 2007. Beginning in 2016, HBO began issuing Steelbook Blu-ray sets which include both Dolby TrueHD7.1 and Dolby Atmos audio options.[165] In 2018, the first season was released in 4KHDR on Ultra HD Blu-ray.[166]
Copyright infringement
Game of Thrones has been widely pirated, primarily outside the US.[167] According to the file-sharing news website TorrentFreak, Game of Thrones has been the most pirated television series since 2012, which means it has held the record for six years in a row.[168][169][170][171][172][173] Illegal downloads increased to about seven million in the first quarter of 2015, up 45 percent from 2014.[167] An unnamed episode was downloaded about 4,280,000 times through public BitTorrent trackers in 2012, roughly equal to its number of broadcast viewers.[174][175] Piracy rates were particularly high in Australia,[176] and US Ambassador to Australia Jeff Bleich issued a statement condemning Australian piracy of the series in 2013.[177]
Delays in availability apart from HBO and its affiliates[178] before 2015 and the cost of subscriptions to these services have been cited as causes of the series' illegal distribution. According to TorrentFreak, a subscription to a service for Game of Thrones would cost up to $25 per month in the United States, up to £26 per episode in the UK and up to $52 per episode in Australia.[179]
For 'combating piracy', HBO said in 2013 that it intended to make its content more widely available within a week of the US premiere (including HBO Go).[180] In 2015, the fifth season was simulcast to 170 countries and to HBO Now users.[167] On April 11, the day before the season premiere, screener copies of the first four episodes of the fifth season leaked to a number of file-sharing websites.[181] Within a day of the leak, the files were downloaded over 800,000 times;[182] in one week the illegal downloads reached 32million, with the season-five premiere alone ('The Wars to Come') pirated 13million times.[183] The season-five finale ('Mother's Mercy') was the most simultaneously shared file in the history of the BitTorrent filesharing protocol, with over 250,000 simultaneous sharers and over 1.5million downloads in eight hours.[184] For the sixth season, HBO did not send screeners to the press, to prevent the spread of unlicensed copies and spoilers.[185]
Observers, including series director David Petrarca[186] and Time Warner CEO Jeff Bewkes, said that illegal downloads did not hurt the series' prospects; it benefited from 'buzz' and social commentary, and the high piracy rate did not significantly translate to lost subscriptions. According to Polygon, HBO's relaxed attitude towards piracy and the sharing of login credentials amounted to a premium-television 'free-to-play' model.[187] At a 2015 Oxford Union debate, series co-creator David Benioff said that he was just glad that people watched the series; illegally downloaded episodes sometimes interested viewers enough to buy a copy, especially in countries where Game of Thrones was not televised. Co-creator D. B. Weiss had mixed feelings, saying that the series was expensive to produce and 'if it doesn't make the money back, then it ceases to exist'. However, he was pleased that so many people 'enjoy the show so much they can't wait to get their hands on it.'[188] In 2015, Guinness World Records called Game of Thrones the most pirated television program.[189]
IMAX
Beginning on January 23, 2015, the last two episodes of season four were shown in 205 IMAX theaters across the United States; Game of Thrones is the first television series shown in this format.[190] The show earned $686,000 at the box office on its opening day[191] and $1.5million during its opening weekend;[192] the week-long release grossed $1,896,092.[193]
Reception and achievements
Game of Thrones was highly anticipated by fans before its premiere,[194][195] and has become a critical and commercial success. According to The Guardian, by 2014 it was 'the biggest drama' and 'the most talked about show' on television.[7]
Cultural influence
Although Game of Thrones was dismissed by some critics,[7] its success has been credited with an increase in the popularity of the fantasy genre. On the eve of the second season's premiere, according to CNN, 'after this weekend, you may be hard pressed to find someone who isn't a fan of some form of epic fantasy' and cited Ian Bogost as saying that the series continues a trend of successful screen adaptations beginning with Peter Jackson's 2001 The Lord of the Rings film trilogy and the Harry Potter films establishing fantasy as a mass-market genre; they are 'gateway drugs to fantasy fan culture'.[196] The success of the show led to a number of fantasy series being commissioned on television, including a retelling of the Lord of the Rings by Amazon Studios.[197] According to Neil Gaiman, whose works Good Omens and American Gods were adapted for TV, Game of Thrones did help change attitudes towards fantasy on television, but mainly it made big budgets for fantasy series more acceptable.[198] The success of the genre had been attributed by writers to a longing for escapism in popular culture, frequent female nudity and a skill in balancing lighthearted and serious topics (dragons and politics, for example) which provided it with a prestige enjoyed by conventional, top-tier drama series.[7]
The series' popularity increased sales of the A Song of Ice and Fire novels (republished in tie-in editions), which remained at the top of bestseller lists for months. According to The Daily Beast, Game of Thrones was a favorite of sitcom writers and the series has been referred to in other TV series.[199] With other fantasy series, it has been cited as a reason for an increase in the purchase (and abandonment) of huskies and other wolf-like dogs.[200]
Game of Thrones has added to the popular vocabulary. A first season scene in which Petyr Baelish explains his motives (or background) while prostitutes have sex in the background gave rise to the word 'sexposition' for providing exposition with sex and nudity.[201] 'Dothraki', the series' nomadic horsemen, was ranked fourth in a September 2012 Global Language Monitor list of words from television most used on the Internet.[202] In 2012, the media used 'Game of Thrones' as a figure of speech or comparison for situations of intense conflict and deceit, such as US healthcare politics,[203] the Syrian Civil War[204] and the ousting of Bo Xilai from the Chinese government.[205]
In 2019, singer-songwriter Taylor Swift told Entertainment Weekly that several songs on her 2017 album Reputation were inspired by characters and plots of Game of Thrones.[206]
'Khaleesi' became more popular as a name for baby girls in the United States. In the novels and the TV series, 'khaleesi' is not a name, but the title of the wife of a khal (warlord) in the Dothraki language, held by Daenerys Targaryen.[207]
Game of Thrones has also become a subject of scientific inquiry.[208][209][210] In 2016, researchers published a paper analyzing emotional sentiment in online public discourse associated with the unfolding storyline during the fourth season.[208] The analysis purported to be able to distinguish discussions about the storyline of an episode from media critiques or assessments of a specific actor's performance. In 2018, Australian scientists conducted a survival analysis and examined the mortality among 330 important characters during the first seven seasons of Game of Thrones.[210] In 2019, the Australian branch of the Red Cross conducted a study using international human rights laws to determine which of the Game of Thrones' characters had committed the most war crimes.[211]
Critical response
General
Season | Critical response | ||
---|---|---|---|
Rotten Tomatoes | Metacritic | ||
1 | 91% (38 reviews)[212] | 80 (28 reviews)[213] | |
2 | 96% (37 reviews)[214] | 90 (26 reviews)[215] | |
3 | 96% (44 reviews)[216] | 91 (25 reviews)[217] | |
4 | 97% (44 reviews)[218] | 94 (29 reviews)[219] | |
5 | 93% (50 reviews)[220] | 91 (29 reviews)[221] | |
6 | 94% (34 reviews)[222] | 73 (9 reviews)[223] | |
7 | 93% (51 reviews)[224] | 77 (12 reviews)[225] | |
8 | 52% (8 reviews)[226] | 74 (12 reviews)[227] |
Game of Thrones, particularly the first 7 seasons, has received critical acclaim, although the series' frequent use of nudity and violence has been criticized. Its seasons have appeared on annual 'best of' lists published by The Washington Post (2011), Time (2011 and 2012) and The Hollywood Reporter (2012).[228][229][230]
The performances of the cast were praised. Peter Dinklage's 'charming, morally ambiguous, and self-aware'[231] Tyrion, who earned him Emmy and Golden Globe awards, was particularly noted. 'In many ways, Game of Thrones belongs to Dinklage', wrote Mary McNamara of the Los Angeles Times before Tyrion became the series' central figure in season two.[232][233] Several critics highlighted performances by actresses[232] and children.[234] Fourteen-year-old Maisie Williams, noted in the first season for her debut as Arya Stark, was singled out for her season-two work with veteran actor Charles Dance (Tywin Lannister).[235]Stephen Dillane has received positive reviews for his performance as Stannis Baratheon, especially in the fifth season, with one critic noting 'Whether you like Stannis or not, you have to admit that Stephen Dillane delivered a monumental performance this season.'[236]
The series has a rating of 91 percent on Rotten Tomatoes.[216]
First-season reviewers said the series had high production values, a fully realized world and compelling characters.[237] According to Variety, 'There may be no show more profitable to its network than 'Game of Thrones' is to HBO. Fully produced by the pay cabler and already a global phenomenon after only one season, the fantasy skein was a gamble that has paid off handsomely'.[238] The second season was also well received. Entertainment Weekly praised its 'vivid, vital, and just plain fun' storytelling[239] and, according to The Hollywood Reporter, the series made a 'strong case for being one of TV's best series'; its seriousness made it the only drama comparable to Mad Men or Breaking Bad.[240]The New York Times gave the series a mixed review, criticizing its number of characters, their lack of complexity and a meandering plot.[241]
The third season was extremely well received by critics, with Metacritic giving it a score of 91 out of 100 (indicating 'universal acclaim').[217] The fourth season was similarly praised; Metacritic gave it a score of 94 out of 100 based on 29 reviews, again indicating 'universal acclaim'.[219] The fifth season was also well received by critics and has a score of 91 out of 100 (based on 29 reviews) on Metacritic.[221] The sixth season was praised by critics, though not as highly as its predecessors. It has a score of 73 on Metacritic (based on nine reviews), indicating 'generally favorable reviews'.[223] The seventh season scored 77 out of 100 (based on twelve reviews) and was praised for its action sequences and focused central characters,[225] but received criticism for its breakneck pace and plot developments that 'defied logic.'[242][224]
Darren Franich of Entertainment Weekly gave the series a 'B' rating, stating that it was ultimately 'okay', with both 'transcendent moments' and 'miserable phases', it was 'beloved enough to be criticized by everyone for something'. Franich described seasons 3 and 4 as 'relentless', seasons 6's ending having a 'killer one-two punch', while seasons 7 and 8 were 'indifferent'.[243]
Sex and violence
Despite its otherwise enthusiastic reception by critics, some have criticized the show for the amount of female nudity, violence, and sexual violence it depicts, and for the manner in which it depicts these themes. The Atlantic called the series' 'tendency to ramp up the sex, violence, and—especially—sexual violence' of the source material 'the defining weakness' of the adaptation.[244] George R. R. Martin responded that he feels obliged to be truthful about history and human nature, and that rape and sexual violence are common in war; and that omitting them from the narrative would have rung false and undermined one of his novels' themes, its historical realism.[12] HBO said that they 'fully support the vision and artistry of Dan and David's exceptional work and we feel this work speaks for itself.'[12]
The amount of sex and nudity in the series, especially in scenes that are incidental to the plot, was the focus of much of the criticism aimed at the series in its first and second seasons. Stephen Dillane, who portrays Stannis Baratheon, likened the series' frequent explicit scenes to 'German porn from the 1970s'.[245]Charlie Jane Anders wrote in io9 that while the first season was replete with light-hearted 'sexposition', the second season appeared to focus on distasteful, exploitative, and dehumanizing sex with little informational content.[246]
According to The Washington Post's Anna Holmes, the nude scenes appeared to be aimed mainly at titillating heterosexual men, right down to the Brazilian waxes sported by the women in the series' faux-medieval setting, which made these scenes alienating to other viewers.[247]The Huffington Post's Maureen Ryan likewise noted that Game of Thrones mostly presented women naked, rather than men, and that the excess of 'random boobage' undercut any aspirations the series might have to address the oppression of women in a feudal society.[248]Saturday Night Live parodied this aspect of the adaptation in a sketch that portrayed the series as retaining a 13-year-old boy as a consultant whose main concern was showing as many breasts as possible.[246][249]
In the third season, which saw Theon Greyjoy lengthily tortured and eventually emasculated, the series was also criticized for its use of torture.[250]New York magazine called the scene 'torture porn.'[251] Madeleine Davies of Jezebel agreed, saying, 'it's not uncommon that Game of Thrones gets accused of being torture porn—senseless, objectifying violence combined with senseless, objectifying sexual imagery.' According to Davies, although the series' violence tended to serve a narrative purpose, Theon's torture in 'The Bear and the Maiden Fair' was excessive.[252]
A scene in the fourth season's episode 'Breaker of Chains', in which Jaime Lannister rapes his sister and lover Cersei, triggered a broad public discussion about the series' depiction of sexual violence against women. According to Dave Itzkoff of The New York Times, the scene caused outrage, in part because of comments by director Alex Graves that the scene became 'consensual by the end'. Itzkoff also wrote that critics fear that 'rape has become so pervasive in the drama that it is almost background noise: a routine and unshocking occurrence'.[12] Sonia Saraiya of The A.V. Club wrote that the series' choice to portray this sexual act, and a similar one between Daenerys Targaryen and Khal Drogo in the first season—both described as consensual in the source novels—as a rape appeared to be an act of 'exploitation for shock value'.[253]
In the fifth season's episode 'Unbowed, Unbent, Unbroken', Sansa Stark is raped by Ramsay Bolton. Most reviewers, including those from Vanity Fair, Salon, The Atlantic, and The Daily Beast, found the scene gratuitous and artistically unnecessary.[244][254][255][256] For example, Joanna Robinson, writing for Vanity Fair, said that the scene 'undercuts all the agency that's been growing in Sansa since the end of last season.'[257] In contrast, Sara Stewart of The New York Post wondered why viewers were not similarly upset about the many background and minor characters who'd undergone similar or worse treatment.[258] In response to the scene, pop culture website The Mary Sue announced that it would cease coverage of the series because of the repeated use of rape as a plot device,[259] and US Senator Claire McCaskill said that she would no longer watch it.[260]
As the sixth and seventh seasons saw Daenerys, Sansa, and Cersei assume ruling positions, Alyssa Rosenberg of The Washington Post noted that the series could be seen as a 'long-arc revenge fantasy about what happens when women who have been brutalized and raped gain power'—namely, that their past leaves them too broken to do anything but commit brutal acts in their own turn, and that their personal liberation does not effect the social change needed to protect others from suffering.[261]Time reported before the seventh season that 'Even if Benioff and Weiss don't always admit it, the show has changed. Scenes in which exposition is delivered in one brothel or another, for example, have been pared back'.[262]
Lighting issues
The lighting, or lack of light, in darker scenes has been a recurring point of criticism since season 6 of the series.[263][264][265][266] In 2016, Bustle's Caitlyn Callegari listed 31 examples of scenes where the lighting caused viewers problems ranging from not being able to tell a character's hair color to not being able to see what was going on.[267] Some reviewers have noted this is part of a wider trend[268] among shows that are made by people who have experience working primarily on films, suggesting they 'haven't grasped the nuances (or lack thereof)' of television as a medium, especially the differences between watching a scene on a television screen versus watching it on the big screen in a movie theater.[269]
In a 2017 interview, Robert McLachlan, a cinematographer working on the show, explained the lack of lighting as an artistic choice: 'we're trying to be as naturalistic as possible'.[270][271] The criticism reached a high point during 'The Long Night', the third episode of season 8.[272][273] Barely minutes into the episode, viewers took to social media sites such as Twitter to express their discontent about the fact that they were having severe difficulties watching the battle and trying to figure out what was going on.[274][275][276][277]
Fandom
In this manipulated image published by the White House in 2014, US president Barack Obama (a fan of the series) sits on the Iron Throne in the Oval Office with the king's crown on his lap.
The popularity of the show in the country, coupled with its filming locations in Northern Ireland, led to the creation of a show-specific exhibit in the National Wax Museum Plus in Dublin.
A Song of Ice and Fire and Game of Thrones have a broad, active international fan base. In 2012 Vulture.com ranked the series' fans as the most devoted in popular culture, more so than Lady Gaga's, Justin Bieber's, Harry Potter's or Star Wars'.[278] Fans include political leaders such as former US president Barack Obama,[279][280] former British prime minister David Cameron,[281] former Australian prime minister Julia Gillard[282][283] and Dutch foreign minister Frans Timmermans, who framed European politics in quotes from Martin's novels in a 2013 speech.[284]
BBC News said in 2013 that 'the passion and the extreme devotion of fans' had created a phenomenon unlike anything related to other popular TV series, manifesting itself in fan fiction,[285]Game of Thrones-themed burlesque routines and parents naming their children after series characters; writers quoted attributed this success to the rich detail, moral ambiguity, sexual explicitness and epic scale of the series and novels.[286] The previous year, 'Arya' was the fastest-rising girl's name in the US after it jumped in popularity from 711th to 413th place.[287]
As of 2013, about 58 percent of series viewers were male and 42 percent female, and the average male viewer was 41 years old.[288][289] According to SBS Broadcasting Group marketing director Helen Kellie, Game of Thrones has a high fan-engagement rate; 5.5 percent of the series' 2.9million Facebook fans talked online about the series in 2012, compared to 1.8percent of the more than ten million fans of True Blood (HBO's other fantasy series).[290] Vulture.com cited Westeros.org and WinterIsComing.net (news and discussion forums), ToweroftheHand.com (which organizes communal readings of the novels) and Podcastoficeandfire.com as fan sites dedicated to the TV and novel series;[278] and podcasts cover Game of Thrones.[291]
Awards and accolades
Game of Thrones has won numerous of awards since it debuted as a series, including 47 Primetime Emmy Awards,[113] 5 Screen Actors Guild Award, and a Peabody Award.[292] It holds the Emmy-award record for a scripted television series, ahead of Frasier (which received 37).[293] In 2013 the Writers Guild of America listed Game of Thrones as the 40th 'best written' series in television history.[294] In 2015 The Hollywood Reporter placed it at number four on their 'best TV shows ever' list,[295] while in 2016 the series was placed seventh on Empire's 'The 50 best TV shows ever'.[296] The same year Rolling Stone named it the twelfth 'greatest TV Show of all time'.[297]
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The 2011 first season received 13 Emmy nominations (including Outstanding Drama Series), and won for Outstanding Supporting Actor in a Drama Series (given to Peter Dinklage for his portrayal of Tyrion Lannister) and Outstanding Main Title Design. Other nominations included Outstanding Directing ('Winter Is Coming') and Outstanding Writing ('Baelor').[113] Dinklage was also named Best Supporting Actor at the Golden Globe, Satellite and Scream Awards.[298][299][300]
In 2012, the second season received six Emmy Awards from 11 nominations, including Outstanding Drama Series and Outstanding Supporting Actor in a Drama Series (Dinklage).[113]
The 2013 third season received 16 Emmy nominations, including Outstanding Drama Series, Outstanding Supporting Actor in a Drama Series (Dinklage), Outstanding Supporting Actress in a Drama Series (Emilia Clarke), Outstanding Guest Actress in a Drama Series (Diana Rigg) and Outstanding Writing ('The Rains of Castamere'), winning two Creative Arts Emmys.[113]
In 2014, the fourth season received four Emmys from 19 nominations, which included Outstanding Drama Series, Outstanding Supporting Actor in a Drama Series (Dinklage), Outstanding Supporting Actress in a Drama Series (Lena Headey), Outstanding Guest Actress in a Drama Series (Rigg), Outstanding Directing ('The Watchers on the Wall') and Outstanding Writing ('The Children').[113]
The 2015 fifth season won the most Primetime Emmy Awards for a series in a year (12 awards from 24 nominations), including Outstanding Drama Series; other wins included Outstanding Supporting Actor in a Drama Series (Dinklage), Outstanding Directing ('Mother's Mercy') and Outstanding Writing ('Mother's Mercy'), and eight were Creative Arts Emmy Awards.[301]
In 2016, the sixth season received the most nominations for the 68th Primetime Emmy Awards (23). It won for Outstanding Drama Series, Outstanding Directing ('Battle of the Bastards'), Outstanding Writing ('Battle of the Bastards'), and nine Creative Arts Emmys. Nominations included Outstanding Supporting Actor in a Drama Series (Dinklage and Kit Harington), Outstanding Supporting Actress in a Drama Series (Clarke, Headey and Maisie Williams), Outstanding Guest Actor in a Drama Series (Max von Sydow) and Outstanding Directing ('The Door').[302]
In 2018, the seventh season received the most nominations at the 70th Primetime Emmy Awards (22).[303] It won for Outstanding Drama Series, Outstanding Supporting Actor in a Drama Series (Peter Dinklage), and seven Creative Arts Emmys.[304] Nominations included Outstanding Supporting Actress in a Drama Series (Lena Headey), Outstanding Supporting Actor in a Drama Series (Nikolaj Coster-Waldau), Outstanding Guest Actress in a Drama Series (Diana Rigg), Outstanding Writing for a Drama Series (David Benioff and D. B. Weiss for 'The Dragon and the Wolf'), and Outstanding Directing for a Drama Series (Jeremy Podeswa for 'The Dragon and the Wolf' and Alan Taylor for 'Beyond the Wall').[305]
Viewer numbers
The first season averaged 2.5million viewers for its first Sunday-night screenings and a gross audience (including repeats and on-demand viewings) of 9.3million viewers per episode.[306] For its second season, the series had an average gross audience of 11.6million viewers.[307] The third season was seen by 14.2million viewers, making Game of Thrones the second-most-viewed HBO series (after The Sopranos).[308][309] For the fourth season, HBO said that its average gross audience of 18.4million viewers (later adjusted to 18.6million) had passed The Sopranos for the record.[310][311]
By the sixth season the average per-episode gross viewing figure had increased to over 25million, with nearly 40 percent of viewers watching on HBO digital platforms.[312] In 2016, a New York Times study of the 50 TV shows with the most Facebook likes found that Game of Thrones was 'much more popular in cities than in the countryside, probably the only show involving zombies that is'.[313] By season seven, average viewer numbers had increased to 32.8million per episode across all platforms.[314][315]
The series set records on pay-television channels in the United Kingdom (with a 2016 average audience of more than five million on all platforms)[316] and Australia (with a cumulative average audience of 1.2million).[317]
Game of Thrones : U.S. viewers per episode (millions)Season | Episode number | Average | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | |||
1 | 2.22 | 2.20 | 2.44 | 2.45 | 2.58 | 2.44 | 2.40 | 2.72 | 2.66 | 3.04 | 2.52 | |
2 | 3.86 | 3.76 | 3.77 | 3.65 | 3.90 | 3.88 | 3.69 | 3.86 | 3.38 | 4.20 | 3.80 | |
3 | 4.37 | 4.27 | 4.72 | 4.87 | 5.35 | 5.50 | 4.84 | 5.13 | 5.22 | 5.39 | 4.97 | |
4 | 6.64 | 6.31 | 6.59 | 6.95 | 7.16 | 6.40 | 7.20 | 7.17 | 6.95 | 7.09 | 6.84 | |
5 | 8.00 | 6.81 | 6.71 | 6.82 | 6.56 | 6.24 | 5.40 | 7.01 | 7.14 | 8.11 | 6.88 | |
6 | 7.94 | 7.29 | 7.28 | 7.82 | 7.89 | 6.71 | 7.80 | 7.60 | 7.66 | 8.89 | 7.69 | |
7 | 10.11 | 9.27 | 9.25 | 10.17 | 10.72 | 10.24 | 12.07 | N/A | 10.26 | |||
8 | 11.76 | 10.29 | 12.02 | 11.80 | 12.48 | 13.61 | N/A | 11.99 |
Other media and products
Video games
The series has inspired several video games based on the TV series and novels. The strategy game Game of Thrones Ascent ties into the HBO series, making characters and settings available to players as they appear on television.[319]Behaviour Interactive is developing a free-to-play strategy game based on the series for mobile devices.[320]Reigns: Game of Thrones, a spin-off of the Reignsstrategy video game series, is in development by Nerial, published by Devolver Digital, and set to release in October 2018.[321]
Merchandise and exhibition
Game of Thrones merchandise in HBO's New York City store
HBO has licensed a variety of merchandise based on Game of Thrones, including games, replica weapons and armor, jewelry, bobblehead dolls by Funko, beer by Ommegang and apparel.[322] High-end merchandise includes a $10,500 Ulysse Nardin wristwatch[323] and a $30,000 resin replica of the Iron Throne.[324] In 2013 and 2014, a traveling exhibition of costumes, props, armor and weapons from the series visited major cities in Europe and the Americas.[325]
Accompanying material
Thronecast: The Official Guide to Game of Thrones, a series of podcasts presented by Geoff Lloyd and produced by Koink, has been released on the Sky Atlantic website and the UK iTunes store during the series' run; a new podcast, with analysis and cast interviews, is released after each episode.[326] In 2014 and 2015 HBO commissioned Catch the Throne, two rap albums about the series.[327][328]
A companion book, Inside HBO's Game of Thrones (ISBN978-1-4521-1010-3) by series writer Bryan Cogman, was published on September 27, 2012. The 192-page book, illustrated with concept art and behind-the-scenes photographs, covers the creation of the series' first two seasons and its principal characters and families.[329]
After the Thrones is a liveaftershow in which hosts Andy Greenwald and Chris Ryan discuss episodes of the series. It airs on HBO Now the Monday after each sixth-season episode.[330] The Game of Thrones Live Concert Experience, a North American 28-city orchestral tour which performed the series' soundtrack with composer Ramin Djawadi, began February 2017 and concluded in April 2017.[331][332] A second tour occurred in 2018 across cities in Europe and North America.[333]
Each season's Blu-ray and DVD set contains several short animated sequences narrated by the cast as their characters as they detail events in the history of Westeros.[334] For the seventh season, this is to include the animated prequel series Game of Thrones: Conquest & Rebellion, illustrated in a different animation style than previous videos. The series focuses on Aegon Targaryen's conquest of the Seven Kingdoms of Westeros.[335]
Successor series
In May 2017, after years of speculation about possible successor series, HBO commissioned Max Borenstein, Jane Goldman, Brian Helgeland, Carly Wray, and Bryan Cogman[336] to develop individual Game of Thrones successor series; all of the writers were to be working individually with George R. R. Martin, who also co-wrote two of the scripts.[337] D. B. Weiss and David Benioff said that they would not be involved with any of the projects.[338]
Martin said that all the concepts under discussion were prequels, although he believes the term 'successor show' applies better to these projects, as they are not Game of Thrones spin-offs in the traditional sense. He ruled out Robert's Rebellion (the overthrow of Daenerys' father by Robert Baratheon) as a possible idea and revealed that some may be set outside Westeros.[339] Later, he stated: 'at least two of them are solidly based on material in Fire and Blood.'[340]
On June 8, 2018, HBO commissioned a pilot to a Game of Thrones prequel series from Goldman as showrunner and Martin as co-creator.[341] The accepted prequel will take place in the Age of Heroes, a period that begins roughly 10,000 years before the events of Game of Thrones. Notable events of that period include the foundation of powerful Houses, the Long Night when the White Walkers first descended upon Westeros, and the Andal Invasion when the Andals invaded from Essos and conquered most of Westeros.[342] Writing in a blog post in June 2018, Martin suggested The Long Night as a title for the upcoming series.[343]S. J. Clarkson will direct and executive produce the pilot, which is scheduled to begin filming in mid-2019 in Northern Ireland and other locations.[344]Naomi Watts has been cast as the female lead, playing 'a charismatic socialite hiding a dark secret.'[345] Other series regulars include: Josh Whitehouse, Toby Regbo, Ivanno Jeremiah, Georgie Henley, Naomi Ackie, Denise Gough, Jamie Campbell Bower, Sheila Atim, Alex Sharp, Miranda Richardson, Marquis Rodriguez, John Simm, Richard McCabe, John Heffernan, and Dixie Egerickx.[346] On May 13, 2019 it was reported that the series had begun filming under the working title Bloodmoon.[347]
Regarding the other four projects, HBO president of programming Casey Bloys said that some of them have been abandoned completely, while others remain as possibilities for the future.[348] In April 2019, Cogman confirmed his prequel would not be moving forward, stating it 'is not happening and will not happen. HBO decided to go a different way.'[349] In May 2019, Martin stated that the two other projects were still in the script stage, but are 'edging closer'.[350]
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- ^Martin, George R.R. (May 14, 2017). 'About Those Spinoffs ..'Not A Blog. Archived from the original on August 14, 2017. Retrieved August 6, 2017.
- ^Cain, Sian (November 10, 2018). 'I've been struggling with it': George RR Martin on The Winds of Winter'. The Guardian. Retrieved April 27, 2019.
- ^Hibberd, James (June 8, 2018). 'Breaking: 'Game of Thrones' prequel pilot ordered by HBO. Full details ..'Entertainment Weekly. Retrieved June 8, 2018.
- ^Schedeen, Jesse (June 16, 2018). 'Game of Thrones Spinoff: What is The Age of Heroes?'. IGN. Retrieved September 2, 2018.
- ^Martin, George R. R. (June 11, 2018). 'HBO Greenlights Goldman Pilot'. georgerrmartin.com. Retrieved September 2, 2018.
- ^Patten, Dominic (February 8, 2019). ''Crazy' Not To Consider More 'Game Of Thrones' Spinoffs, HBO Chief Says – TCA'. Deadline Hollywood. Retrieved February 25, 2019.
- ^Kroll, Justin; Otterson, Joe (October 30, 2018). ''Game of Thrones' Prequel Casts Naomi Watts in Lead Role'. Variety. Retrieved October 31, 2018.
- ^Petski, Denise (March 27, 2019). ''Game Of Thrones' Prequel HBO Pilot Adds Five Series Regulars To Cast'. Deadline Hollywood. Retrieved March 31, 2019.
- ^'Game of Thrones prequel Bloodmoon has already started filming in Belfast'. The Sun. May 13, 2019. Retrieved May 16, 2019.
- ^D'Alessandro, Anthony (July 25, 2018). ''Game Of Thrones': HBO Boss On Finale Season Premiere, Prequel – TCA'. Deadline Hollywood. Retrieved September 2, 2018.
- ^Roots, Kimberly (April 24, 2019). 'Game of Thrones Producer Bryan Cogman's Spinoff Series Dead at HBO: 'I Am Done With Westeros''. TVLine. Retrieved April 24, 2019.
- ^Romano, Nick (May 4, 2019). 'George R.R. Martin says three Game of Thrones spin-offs still in the works'. Entertainment Weekly. Retrieved May 5, 2019.
External links
- Official website
- Game of Thrones on IMDb
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Game_of_Thrones&oldid=899160690'
Game of Thrones (season 7) | |
---|---|
Starring | See List of Game of Thrones cast |
Country of origin | United States |
No. of episodes | 7 |
Release | |
Original network | HBO |
Original release | July 16 – August 27, 2017 |
Season chronology | |
← Previous Season 6 | |
List of Game of Thrones episodes |
The seventh and penultimate season of the fantasydrama television series Game of Thrones premiered on HBO on July 16, 2017, and concluded on August 27, 2017.[1][2][3] Unlike previous seasons, which consisted of ten episodes each, the seventh season consisted of only seven episodes.[4] Like the previous season, it largely consisted of original content not found in George R. R. Martin's A Song of Ice and Fire series, while also incorporating material that Martin revealed to showrunners about the upcoming novels in the series.[5][better source needed] The series was adapted for television by David Benioff and D. B. Weiss.
The penultimate season focuses primarily on the convergence of the show's main plotlines in preparation for the final season. Daenerys Targaryen arrives in Westeros with her army and three dragons and begins to wage war against the Lannisters while Jon Snow continues his efforts to find ways to defeat the Army of the Dead. He forges an alliance with Daenerys in an attempt to unite their forces against the White Walker army.
HBO ordered the seventh season on April 21, 2016, three days before the premiere of the show's sixth season, and began filming on August 31, 2016. The season was filmed primarily in Northern Ireland, Spain, Croatia and Iceland.
Game of Thrones features a large ensemble cast, including Peter Dinklage, Nikolaj Coster-Waldau, Lena Headey, Emilia Clarke, and Kit Harington. The season introduces several new cast members, including Jim Broadbent and Tom Hopper.
The series received 22 nominations for the 70th Primetime Emmy Awards,[6] and won for Outstanding Drama Series and Dinklage won for Outstanding Supporting Actor in a Drama Series.[7]
- 2Cast
- 2.2Guest cast
- 3Production
- 4Reception
- 5Release
Episodes[edit]
No. overall | No. in season | Title | Directed by | Written by | Original air date | U.S. viewers (millions) | |
---|---|---|---|---|---|---|---|
61 | 1 | 'Dragonstone' | Jeremy Podeswa | David Benioff & D. B. Weiss | July 16, 2017 | 10.11[8] | |
At the Twins, Arya, disguised as Walder Frey, poisons the remaining lords of House Frey. The White Walkers march toward the Wall, where Tollett allows Bran and Meera to enter. At Winterfell, despite Sansa's disapproval, Jon secures the loyalties of Houses Umber and Karstark, who fought alongside Ramsay in the Battle of the Bastards. At the Citadel, Samwell secretly borrows library books, one of which reveals a large deposit of dragonglass in Dragonstone, and sends word to Jon. Sam later finds Ser Jorah, now heavily infected with greyscale, quarantined in a cell. In the Riverlands, Arya meets some friendly Lannister soldiers, who consider her declared intention to kill Cersei as a joke. Thoros shows Sandor a vision of the Wall and the marching Army of the Dead in the fire. The revelation leads him to believe in the Lord of Light. In King's Landing, Jaime tells Cersei that allies are crucially needed. She receives Euron, who proposes marriage in exchange for his Iron Fleet and an opportunity to kill Theon and Yara. Cersei declines, citing trust as a concern, so Euron promises to return with a 'gift' to prove his loyalty. Daenerys arrives at Dragonstone, the home of House Targaryen, previously occupied by Stannis Baratheon, with her army and dragons. | |||||||
62 | 2 | 'Stormborn' | Mark Mylod | Bryan Cogman | July 23, 2017 | 9.27[9] | |
Daenerys sends the Dornishmen with Yara's fleet to Sunspear and the Unsullied to Casterly Rock, following Tyrion's advice to lay siege to King's Landing. She challenges Varys' loyalty and threatens to burn him alive if he ever betrays her. Melisandre arrives and encourages her to invite Jon Snow to Dragonstone. Grey Worm and Missandei consummate their relationship. Cersei summons several lords, wanting their fealty and elevating Randyll Tarly as Warden of the South. Qyburn shows Cersei a prototype ballista capable of killing dragons. Arya is reunited with Hot Pie, who tells her about Jon's ascension to King in the North. She changes her plan to travel to King's Landing, instead setting course for Winterfell. After receiving Samwell's letter, Jon travels to Dragonstone to request Daenerys' help against the White Walkers, leaving Sansa in charge at Winterfell. Jon also sternly warns Littlefinger to keep his distance from his sister. Samwell applies a forbidden treatment on Jorah's greyscale infection. Euron's fleet attacks Yara's. Obara and Nymeria are killed, while Ellaria, Tyene, and Yara are captured. Theon has flashbacks as Reek, hesitating to challenge Euron before fleeing the carnage by jumping overboard. | |||||||
63 | 3 | 'The Queen's Justice' | Mark Mylod | David Benioff & D. B. Weiss | July 30, 2017 | 9.25[10] | |
Jon arrives at Dragonstone where Daenerys demands his fealty. He refuses and instead attempts to recruit her help in fighting the Army of the Dead. Following Tyrion's advice, Daenerys grants Jon access to the island's dragonglass. Melisandre avoids Jon and departs for Volantis. Bran, with Meera, returns to Winterfell and reveals his newfound-role as the Three-Eyed Raven to Sansa. In King's Landing, Euron presents Ellaria and Tyene as a gift for Cersei, who promises marriage after the war is won. She also awards him co-control of her military alongside Jaime. Cersei administers the same poison to Tyene that killed Myrcella, forcing Ellaria to watch her daughter's impending death and remain imprisoned with the body. In Oldtown, a healed Jorah leaves to find Daenerys. Ebrose praises Samwell ability to save Jorah but as punishment for his disobedience makes him copy old texts. Grey Worm and the Unsullied attack Casterly Rock, only to find that Jaime has led the bulk of the Lannister forces in an attack on Highgarden, while Euron's fleet ambushes and destroys the Unsullied's ships. The Lannister forces quickly overwhelm Olenna Tyrell's army. Jaime offers Olenna a quick and painless death by poison. After drinking it, she admits to poisoning Joffrey. | |||||||
64 | 4 | 'The Spoils of War' | Matt Shakman | David Benioff & D. B. Weiss | August 6, 2017 | 10.17[11] | |
Arya returns to Winterfell and reunites with Sansa. She later spars with Brienne, impressing her and unnerving Sansa with her exceptional fighting skills. Bran bids Meera an unemotional farewell as she prepares to head home, divulging he is no longer the boy she accompanied through the North. Littlefinger presents Bran with the dagger his would-be assassin used. Bran later gives it to Arya. Cersei assures the Iron Bank a full repayment of her debt, as a wagon train carrying gold from Highgarden travels to King's Landing. In a cave filled with dragonglass, Jon reveals ancient wall paintings to Daenerys depicting the First Men and the Children of the Forest joining forces against the undead. Later, Daenerys learns that the Lannister forces have captured Highgarden and the attack on Casterly Rock was a diversion. Ignoring Tyrion's protests, Daenerys rides Drogon as the Dothraki cavalry launches a surprise attack on the Lannister army, decimating it and capturing its remaining forces. Drogon is wounded when Bronn fires a bolt from Qyburn's new scorpion ballista weapon, but he and Daenerys land safely. Jaime's desperate charge on horseback at a vulnerable Daenerys is thwarted by Drogon spewing fire. Bronn tackles Jaime into the river, saving him. | |||||||
65 | 5 | 'Eastwatch' | Matt Shakman | Dave Hill | August 13, 2017 | 10.72[12] | |
Jaime and Bronn return to King's Landing. Daenerys offers the Lannister army survivors the choice to pledge fealty to her or die. Against Tyrion's advice, she has Drogon burn Randyll and Dickon Tarly, who refused to bend the knee. Jorah arrives at Dragonstone and reunites with Daenerys. Maester Wolkan alerts Jon and the Citadel about the wights approaching Eastwatch. Jon proposes he travel beyond the Wall to capture a wight as proof they exist and to convince Cersei to accept a temporary alliance. Davos smuggles Tyrion inside King's Landing, where he secretly meets with Jaime to propose an armistice. Cersei accepts it and also informs Jaime she is pregnant. Davos rendezvous with Gendry and returns him to Dragonstone. With the Citadel ignoring Wolkan's letter, Samwell steals several restricted books and leaves the Citadel with Gilly and Little Sam. At Winterfell, Littlefinger, knowing Arya is spying on him, lures her into finding the letter that Sansa was forced to write as a hostage in King's Landing. Jon, Jorah, and Gendry, joined by the Hound, the Brotherhood, and a group of the Free Folk led by Tormund, leave Eastwatch and pass beyond the Wall to capture a wight. | |||||||
66 | 6 | 'Beyond the Wall' | Alan Taylor | David Benioff & D. B. Weiss | August 20, 2017 | 10.24[13] | |
At Winterfell, Littlefinger plots to isolate Sansa. Tensions between Arya and Sansa increase following Arya's discovery of the letter Sansa was forced to write, begging for Robb's fealty to Joffrey. Sansa, in turn, finds Arya's collection of faces she took from Braavos. At Dragonstone, Tyrion counsels Daenerys about the upcoming negotiations with Cersei. Beyond the Wall, Jon and the men hunt for a wight to prove the White Walkers' existence. After capturing one, the group is beset by the White Walker army. Jon sends Gendry to Eastwatch to dispatch a raven to Daenerys requesting help. During the night, an injured Thoros freezes to death. Right as the wight army is about to overwhelm Jon's party, Daenerys arrives with her dragons and rescues the men. However, the Night King, leader of the White Walkers, kills Viserion, one of Daenerys' dragons, with an ice spear. Daenerys flies off with the men, but is unable to save Jon. Benjen Stark intervenes and sacrifices himself to allow Jon to escape. When Jon and Daenerys are reunited, Jon pledges himself and the North to Daenerys as Queen. The Night King reanimates Viserion, making the dragon a part of his army. | |||||||
67 | 7 | 'The Dragon and the Wolf' | Jeremy Podeswa | David Benioff & D. B. Weiss | August 27, 2017 | 12.07[14] | |
At King's Landing, the wight is presented to the Lannisters. Cersei demands Jon's neutrality in the Great War, but he upholds his oath to Daenerys, provoking Cersei to end discussions. Tyrion meets privately with Cersei, apparently gaining her alliance. Cersei later reveals to Jaime that she lied and really intends to use the Golden Company of Braavos to secure her hold on Westeros. Disgusted, Jaime deserts her and rides north. Aboard a ship bound for White Harbor, Jon and Daenerys make love. At Dragonstone, Theon earns his men's respect and leads them to rescue Yara. At Winterfell, Littlefinger sows dissent by exploiting Arya's threatening demeanor toward Sansa, leading to a trial. To his surprise, a united Sansa, Arya, and Bran accuse Littlefinger of murder, conspiracy, and treason, which Bran confirms with his visions. Deserted by the Lords of the Vale, Littlefinger is sentenced to death by Sansa and executed by Arya. Samwell arrives at Winterfell and meets with Bran, where both discuss Jon's parentage. Through Sam's earlier research and Bran's visions, they now realize Jon is a trueborn Targaryen named Aegon and the legitimate heir to the Iron Throne, as his parents — Rhaegar Targaryen and Lyanna Stark — married in secret. At Eastwatch, the Night King, astride the undead Viserion, blasts the Wall with blue dragon fire, creating a hole for the Army of the Dead to march through. |
Cast[edit]
Download Game Of Thrones Season 7 Complete
Main cast[edit]
Peter Dinklage (Tyrion Lannister) and Nikolaj Coster-Waldau (Jaime Lannister)
Lena Headey (Cersei Lannister) and Emilia Clarke (Daenerys Targaryen)
Kit Harington (Jon Snow) and Aidan Gillen (Petyr Baelish)
Liam Cunningham (Davos Seaworth) and Sophie Turner (Sansa Stark)
Maisie Williams (Arya Stark) and Nathalie Emmanuel (Missandei)
- Peter Dinklage as Tyrion Lannister[15]
- Nikolaj Coster-Waldau as Jaime Lannister[15]
- Lena Headey as Cersei Lannister[15]
- Emilia Clarke as Daenerys Targaryen[15]
- Kit Harington as Jon Snow[15]
- Aidan Gillen as Petyr 'Littlefinger' Baelish[15]
- Liam Cunningham as Davos Seaworth[15]
- Sophie Turner as Sansa Stark[15]
- Maisie Williams as Arya Stark[15]
- Nathalie Emmanuel as Missandei[15]
- Gwendoline Christie as Brienne of Tarth[15]
- Conleth Hill as Varys[15]
- John Bradley as Samwell Tarly[15]
- Isaac Hempstead Wright as Bran Stark[15]
- Hannah Murray as Gilly[15]
- Kristofer Hivju as Tormund Giantsbane[15]
- Rory McCann as Sandor 'The Hound' Clegane[15]
- Iain Glen as Jorah Mormont[15]
- Carice van Houten as Melisandre[15]
- Indira Varma as Ellaria Sand[15]
- Alfie Allen as Theon Greyjoy[15]
- Jerome Flynn as Bronn[15]
- Joe Dempsie as Gendry[16]
Guest cast[edit]
The recurring actors listed here are those who appeared in season 7. They are listed by the region in which they first appear.
In the North, including the Wall[edit]
Beyond the Wall[edit]
In the Riverlands[edit]
| In King's Landing[edit]
In Oldtown[edit]
At Dragonstone[edit]
In flashbacks[edit]
|
Production[edit]
Crew[edit]
Series creators and executive producers David Benioff and D. B. Weiss serve as showrunners for the seventh season. The directors for the seventh season are Jeremy Podeswa (episodes 1 and 7), Mark Mylod (episodes 2 and 3), Matt Shakman (episodes 4 and 5) and Alan Taylor (episode 6). This marks Taylor's return to the series after an absence since the second season. Shakman is a first-time Game of Thrones director, with the rest each having directed multiple episodes in previous seasons.[36]Michele Clapton returned to the show as costume designer, after spending some time away from the show in the sixth season. She previously worked on the show for the first five seasons, as well as the end of the sixth season.[36]
Writing[edit]
The seventh season contains original material not found in the A Song of Ice and Fire series.[37][needs update] Some of the show's sixth season also consists of material revealed to the writers of the television series during discussions with Martin.[38]
Filming[edit]
The shores of Gaztelugatxe were used as a location for filming Season 7.
Filming began on August 31, 2016, at Titanic Studios in Belfast,[39] and ended in February 2017.[40][41][42] In an interview with the showrunners, it was announced that the filming of the seventh season would be delayed until later in the year due to necessary weather conditions for filming. The showrunners stated 'We're starting a bit later because, you know, at the end of this season, winter is here, and that means that sunny weather doesn't really serve our purposes any more. We kind of pushed everything down the line so we could get some grim, gray weather even in the sunnier places that we shoot.'[43]
Girona, Spain, did not return as one of the filming locations.[44] Girona stood in for Braavos and parts of King's Landing.[44] It was later announced that the seventh season would film in Northern Ireland, Spain and Iceland, with filming in Northern Ireland beginning in August 2016.[4][40] The series filmed in the Spanish cities Seville, Cáceres, Almodóvar del Río, Santiponce, Zumaia and Bermeo.[45] Spanish sources announced that the series would be filming the seventh season on Muriola Beach in Barrika, Las Atarazanas, the Royal Dockyards of Seville and at the shores of San Juan de Gaztelugatxe, an islet belonging to the city of Bermeo.[46][47][48] The series returned to film at The Dark Hedges in Stranocum, which was previously used as the Kingsroad in the second season.[49] Some scenes were filmed in Iceland.[50] Filming also occurred in Dubrovnik, Croatia, which is used for location of King's Landing.[51] The scene where Arya was reunited with Nymeria was filmed in Alberta, Canada.[52]
Casting[edit]
Deadline reported on June 21, 2016, that the five main cast members, Peter Dinklage, Nikolaj Coster-Waldau, Lena Headey, Emilia Clarke, and Kit Harington had been in contract negotiations for the final two seasons. It was reported that the cast members have increased their salary to $500,000 per episode for the seventh and eighth season.[53][54] It was later reported that the actors had gone through a renegotiation, for which they had increased their salary to $1.1 million per episode for the last two seasons.[55]
On August 31, 2016, Entertainment Weekly reported that Jim Broadbent had been cast for the seventh season in a 'significant' role.[31] It was announced that the role of Dickon Tarly has been recast, with Tom Hopper replacing Freddie Stroma, who had previously played the role in 'Blood of My Blood'.[29] The seventh season sees the return of Mark Gatiss as Tycho Nestoris, who did not appear in the sixth season,[30]Ben Hawkey as Hot Pie, who last appeared in the fourth season, and Joe Dempsie as Gendry, who last appeared in the third season and maintains his status as starring cast member. Members of the British indie pop band Bastille were reported to have filmed cameo appearances.[56] British singer-songwriter Ed Sheeran also makes a cameo appearance in the season.[57] Frontman of American heavy metal band Mastodon, Brent Hinds, has also revealed he would have a cameo appearance. This is Hinds' second cameo in the series, following his appearance (along with bandmates Brann Dailor and Bill Kelliher) in the fifth season.[58]New York Metsbaseball pitcher Noah Syndergaard made a background cameo as a javelin-throwing Lannister soldier in 'The Spoils of War.'[59]
Episodes[edit]
On April 21, 2016, HBO officially ordered the seventh season of Game of Thrones, just three days prior to the premiere of the show's sixth season.[60] In a June 2016 interview with Variety, co-creators David Benioff and D. B. Weiss revealed the seventh season would likely consist of fewer episodes, stating at the time of the interview that they were 'down to our final 13 episodes after this season. We're heading into the final lap.'[61][62] Director Jack Bender, who worked on the show's sixth season, said that the seventh season would consist of seven episodes.[63] Benioff and Weiss stated that they were unable to produce 10 episodes in the show's usual 12 to 14 month time frame, as Weiss said 'It's crossing out of a television schedule into more of a mid-range movie schedule.'[61] HBO confirmed on July 18, 2016, that the seventh season would consist of seven episodes, and would premiere later than usual in mid-2017 because of the later filming schedule.[4] Later it was confirmed that the season would debut on July 16.[64] The seventh season includes an 81-minute finale;[65] this was the series' longest episode until it was surpassed by the Season 8 episode 'The Long Night', which is 82 minutes. Season 7's penultimate episode also runs for 71 minutes – around 16 minutes longer than an average Game of Thrones episode. The first five episodes mostly run longer than average (55 minutes), at 59, 59, 63, 50, and 59 minutes respectively.[66] The previous longest episode in the series was the sixth-season finale, 'The Winds of Winter', which ran for 69 minutes.[65]
Music[edit]
Ramin Djawadi returned as the composer of the show for the seventh season.[67]
Reception[edit]
Critical response[edit]
On Metacritic, the season (based on the first episode) has a score of 77 out of 100 based on 12 reviews, indicating 'generally favorable reviews'.[68] On Rotten Tomatoes, the seventh season has a 93% approval rating from 51 critics with an average rating of 8.22 out of 10, with the site's consensus reading, 'After a year-long wait, Game of Thrones roars back with powerful storytelling and a focused interest in its central characters—particularly the female ones.'[69]
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Ratings[edit]
The series premiere surpassed 30 million viewers across all of the network's domestic platforms weeks after its release. The show's numbers continued to climb in other countries as well. In the UK, the premiere got up to 4.7 million viewers after seven days, setting a new record for Sky Atlantic. Compared to the previous season, HBO Asia saw an increases of between 24 percent to 50 percent. HBO Latin America saw a record viewership in the region, with a 29 percent climb. In Germany, the show went up 210 percent, in Russia it climbed 40 percent and in Italy it saw a 61 percent increase.[70] In the United States, the finale was watched by 12.1 million viewers on its first airing on television, and 16.5 million when viewings on HBO Now and HBO Go apps are included. Over the season, the viewer numbers averaged at over 30 million per episode across all platforms.[71]
No. | Title | Air date | Rating (18–49) | Viewers (millions) | DVR (18–49) | DVR viewers (millions) | Total (18–49) | Total viewers (millions) |
---|---|---|---|---|---|---|---|---|
1 | 'Dragonstone' | July 16, 2017 | 4.7 | 10.11[8] | 1.1 | 2.62 | 5.8 | 12.74[72] |
2 | 'Stormborn' | July 23, 2017 | 4.3 | 9.27[9] | 1.4 | 3.08 | 5.7 | 12.37[73] |
3 | 'The Queen's Justice' | July 30, 2017 | 4.3 | 9.25[10] | 1.1 | 2.72 | 5.4 | 11.97[74]1 |
4 | 'The Spoils of War' | August 6, 2017 | 4.6 | 10.17[11] | 1.7 | 3.76 | 6.3 | 13.94[75] |
5 | 'Eastwatch' | August 13, 2017 | 5.0 | 10.72[12] | 1.6 | 3.67 | 6.6 | 14.41[76] |
6 | 'Beyond the Wall' | August 20, 2017 | 4.7 | 10.24[13] | 1.6 | 3.74 | 6.3 | 13.98[77] |
7 | 'The Dragon and the Wolf' | August 27, 2017 | 5.7 | 12.07[14] | 1.4 | 3.35 | 7.1 | 15.44[78] |
^1 Live +7 ratings were not available, so Live +3 ratings have been used instead.
Accolades[edit]
Year | Award | Category | Nominee(s) | Result | Ref. |
---|---|---|---|---|---|
2017 | American Film Institute Awards 2017 | AFI TV Award | Game of Thrones | Won | [79] |
2017 American Society of Cinematographers Awards | Outstanding Achievement in Cinematography in Regular Series for Non-Commercial Television | Robert McLachlan (for 'The Spoils of War') | Nominated | [80] | |
Gregory Middleton (for 'Dragonstone') | Nominated | ||||
IGN Awards | Best Action Series | Game of Thrones | Won | [81] | |
Best TV Episode | 'The Spoils of War' | Won | |||
IGN People's Choice Award | Best Action Series | Game of Thrones | Won | ||
Best TV Episode | 'The Spoils of War' | Won | |||
Humanitas Prize | 60 Minute Network or Syndicated Television | David Benioff, D. B. Weiss (for 'The Dragon and the Wolf') | Nominated | [82] | |
Hollywood Post Alliance | Outstanding Color Grading | Joe Finley (for 'Dragonstone') | Nominated | [83] | |
Outstanding Editing | Tim Porter (for 'Stormborn') | Nominated | |||
Jesse Parker (for 'The Queen's Justice') | Nominated | ||||
Crispin Green (for 'Dragonstone') | Nominated | ||||
Outstanding Sound | Tim Kimmel, Paula Fairfield, Mathew Waters, Onnalee Blank, Bradley C. Katona, Paul Bercovitch (for 'The Spoils of War') | Nominated | |||
2018 | 22nd Satellite Awards | Best Genre Series | Game of Thrones | Won | [84] |
23rd National Television Awards | Best Drama | Game of Thrones | Nominated | [85] | |
8th Critics' Choice Television Awards | Best Drama Series | Game of Thrones | Nominated | [86] | |
Best Supporting Actor in a Drama Series | Peter Dinklage | Nominated | |||
Best Supporting Actress in a Drama Series | Emilia Clarke | Nominated | |||
75th Golden Globe Awards | Best Television Series – Drama | Game of Thrones | Nominated | [87] | |
24th Screen Actors Guild Awards | Outstanding Performance by an Ensemble in a Drama Series | Game of Thrones | Nominated | [88] | |
Outstanding Action Performance by a Stunt Ensemble in a Television Series | Game of Thrones | Won | |||
Outstanding Performance by a Male Actor in a Drama Series | Peter Dinklage | Nominated | |||
60th Annual Grammy Awards | Best Score Soundtrack for Visual Media | Ramin Djawadi | Nominated | [89] | |
American Cinema Editors Awards 2018 | Best Edited Drama Series for Non-Commercial Television | Tim Porter (for 'Beyond the Wall') | Nominated | [90] | |
45th Annie Awards | Outstanding Achievement, Character Animation in a Live Action Production | Paul Story, Todd Labonte, Matthew Muntean, Cajun Hylton, Georgy Arevshatov (for 'Beyond the Wall') | Nominated | [91] | |
Art Directors Guild Awards 2017 | One-Hour Single Camera Period Or Fantasy Television Series | Deborah Riley (for 'Dragonstone', 'The Queen's Justice', and 'Eastwatch') | Won | [92] | |
Cinema Audio Society Awards 2017 | Outstanding Achievement in Sound Mixing – Television Series – One Hour | Ronan Hill, Richard Dyer, Onnalee Blank, Mathew Waters, Brett Voss (for 'Beyond the Wall') | Won | [93] | |
Costume Designers Guild Awards 2017 | Outstanding Fantasy Television Series | Michele Clapton | Won | [94] | |
70th Directors Guild of America Awards | Dramatic Series | Jeremy Podeswa (for 'The Dragon and the Wolf') | Nominated | [95] | |
Matt Shakman (for 'The Spoils of War') | Nominated | ||||
Alan Taylor (for 'Beyond the Wall') | Nominated | ||||
Make-Up Artists and Hair Stylists Guild | Best Period and/or Character Makeup – Television | Jane Walker, Nicola Matthews | Won | [96] | |
Best Period and/or Character Hair Styling – Television | Kevin Alexander, Candice Banks | Nominated | |||
Best Special Makeup Effects – Television | Barrie Gower, Sarah Gower | Won | |||
Producers Guild of America Awards 2017 | 'The Norman Felton Award for Outstanding Producer of Episodic Television, Drama' | David Benioff, D. B. Weiss, Bernadette Caulfield, Frank Doelger, Carolyn Strauss, Bryan Cogman, Lisa McAtackney, Chris Newman, Greg Spence | Nominated | [97] | |
Writers Guild of America Awards 2017 | Television Drama Series | David Benioff, Bryan Cogman, Dave Hill, D. B. Weiss | Nominated | [98] | |
16th Visual Effects Society Awards | Outstanding Visual Effects in a Photoreal Episode | Joe Bauer, Steve Kullback, Chris Baird, David Ramos, Sam Conway (for 'Beyond the Wall') | Won | [99] | |
Outstanding Animated Character in an Episode or Real-Time Project | Paul Story, Todd Labonte, Matthew Muntean, Nicholas Wilson (for 'Beyond the Wall' – 'Zombie Polar Bear') | Nominated | |||
Jonathan Symmonds, Thomas Kutschera, Philipp Winterstein, Andreas Krieg (for 'Eastwatch' – 'Drogon Meets Jon') | Nominated | ||||
Murray Stevenson, Jason Snyman, Jenn Taylor, Florian Friedmann (for 'The Spoils of War' – 'Drogon Loot Train Attack') | Won | ||||
Outstanding Created Environment in an Episode, Commercial or Real-Time Project | Daniel Villalba, Antonio Lado, José Luis Barreiro, Isaac de la Pompa (for 'Beyond the Wall' – 'Frozen Lake') | Won | |||
Patrice Poissant, Deak Ferrand, Dominic Daigle, Gabriel Morin (for 'Eastwatch') | Nominated | ||||
Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project | Manuel Ramírez, Óscar Márquez, Pablo Hernández, David Gacituaga (for 'Beyond the Wall' – 'Frozen Lake') | Nominated | |||
Thomas Hullin, Dominik Kirouac, Sylvain Nouveau, Nathan Arbuckle (for 'The Dragon and the Wolf' – 'Wall Destruction') | Won | ||||
Outstanding Compositing in a Photoreal Episode | Óscar Perea, Santiago Martos, David Esteve, Michael Crane (for 'Beyond the Wall' – 'Frozen Lake') | Nominated | |||
Thomas Montminy Brodeur, Xavier Fourmond, Reuben Barkataki, Sébastien Raets (for 'Eastwatch') | Nominated | ||||
Dom Hellier, Thijs Noij, Edwin Holdsworth, Giacomo Matteucci (for 'The Spoils of War' – 'Loot Train Attack') | Won | ||||
Golden Reel Awards | Outstanding Achievement in Sound Editing - Episodic Short Form – Effects/Foley | Tim Kimmel, Paula Fairfield, Bradley Katona, Brett Voss and Jeffrey Wilhoit (for 'The Spoils of War') | Won | [100] | |
Outstanding Achievement in Sound Editing - Episodic Short Form – Dialogue/ADR | Tim Kimmel, Paul Bercovitch and Tim Hands (for 'The Spoils of War') | Won | |||
Outstanding Achievement in Sound Editing - Episodic Short Form – Music/Musical | David Klotz (for 'Beyond the Wall') | Nominated | |||
15th Irish Film & Television Awards | Best Television Drama | Game of Thrones | Won | [101] [102] | |
Actor in a Supporting Role – Television | Liam Cunningham | Won | |||
Aidan Gillen | Nominated | ||||
Best Sound | Ronan Hill, Onnalee Blank and Matthew Waters | Nominated | |||
Best VFX | Ed Bruce & Nicholas Murphy | Nominated | |||
5th Location Managers Guild Awards | Outstanding Locations in a Period Television Series | Robert Boake, Matt Jones, Tate Araez Guzman | Won | [103] | |
44th Saturn Awards | Best Fantasy Television Series | Game of Thrones | Nominated | [104] | |
Best Actress on a Television Series | Lena Headey | Nominated | |||
Best Supporting Actor on a Television Series | Kit Harington | Nominated | |||
Nikolaj Coster-Waldau | Nominated | ||||
2018 British Academy Television Awards | Must-See Moment | 'Viserion is Killed by the Night King' (for Beyond the Wall) | Nominated | [105] | |
2018 British Academy Television Craft Awards | Costume Design | Michele Clapton | Won | [106] | |
Production Design | Deborah Riley, Rob Cameron | Won | |||
Special Award | Game of Thrones | Won | |||
Webby Award | Best Overall Social Presence | Game of Thrones | Won | [107] | |
Best Trailer | Game of Thrones | Won | |||
Best Digital Campaign | Game of Thrones | Won | |||
2018 MTV Movie & TV Awards | Best Show | Game of Thrones | Nominated | [108] | |
Best Performance in a Show | Maisie Williams | Nominated | |||
Best Hero | Emilia Clarke | Nominated | |||
2018 Gold Derby Awards | Best Drama Series | Game of Thrones | Won | [109] | |
Ensemble of the Year | The cast of Game of Thrones | Nominated | |||
Best Drama Supporting Actor | Peter Dinklage | Nominated | |||
Best Drama Supporting Actress | Lena Headey | Nominated | |||
Best Drama Guest Actress | Diana Rigg | Won | |||
Best Drama Episode | 'Beyond the Wall' | Nominated | |||
'The Spoils of War' | Nominated | ||||
70th Primetime Emmy Awards | Outstanding Drama Series | Won | [110] | ||
Outstanding Supporting Actor in a Drama Series | Nikolaj Coster-Waldau | Nominated | |||
Peter Dinklage | Won | ||||
Outstanding Supporting Actress in a Drama Series | Lena Headey | Nominated | |||
Outstanding Directing for a Drama Series | Alan Taylor (for 'Beyond the Wall') | Nominated | |||
Jeremy Podeswa (for 'The Dragon and the Wolf') | Nominated | ||||
Outstanding Writing for a Drama Series | David Benioff and D. B. Weiss (for 'The Dragon and the Wolf') | Nominated | |||
70th Primetime Creative Arts Emmy Awards | Outstanding Casting for a Drama Series | Nina Gold, Robert Sterne, and Carla Stronge | Nominated | [111] | |
Outstanding Costumes for a Fantasy/Sci-Fi Series | Michele Clapton, Alexander Fordham, Emma O'Loughlin, Kate O'Farrell, (for 'Beyond the Wall') | Won | |||
Outstanding Guest Actress in a Drama Series | Diana Rigg | Nominated | |||
Outstanding Hairstyling for a Single-Camera Series | Kevin Alexander, Candice Banks, Nicola Mount, Rosalia Culora (for 'The Dragon and the Wolf') | Nominated | |||
Outstanding Make-up for a Single-Camera Series (Non-Prosthetic) | Jane Walker, Kay Bilk, Marianna Kyriacou, Pamela Smyth, Kate Thompson, Nicola Mathews (for 'The Dragon and the Wolf') | Nominated | |||
Outstanding Production Design for a Fantasy Program | Deborah Riley, Paul Ghirardani, Rob Cameron (for 'Dragonstone') | Won | |||
Outstanding Prosthetic Makeup for a Series | Jane Walker, Paul Spateri, Emma Sheffield, Barrie Gower (for 'Beyond the Wall') | Won | |||
Outstanding Single-Camera Picture Editing for a Drama Series | Tim Porter (for Beyond the Wall) | Nominated | |||
Crispin Green (for 'The Spoils of War') | Nominated | ||||
Katie Weiland (for 'The Dragon and the Wolf') | Nominated | ||||
Outstanding Music Composition for a Series (Original Dramatic Score) | Ramin Djawadi (for 'The Dragon and the Wolf') | Won | |||
Outstanding Sound Editing for a Comedy or Drama series | Tim Kimmel, Paula Fairfield, Tim Hands, Paul Bercovitch, Bradley C. Katona, John Matter, Brett Voss, David Klotz, Jeffrey Wilhoit, Dylan T. Wilhoit (for 'The Spoils of War') | Nominated | |||
Outstanding Sound Mixing for a Series | Onnalee Blank, Mathew Waters, Richard Dyer, Ronan Hill (for 'Beyond the Wall') | Won | |||
Outstanding Special Visual Effects | Steve Kullback, Joe Bauer, Adam Chazen, Michelle Blok, Sam Conway, Ted Rae, David Ramos, Wayne Stables, Derek Spears (for 'Beyond the Wall') | Won | |||
Outstanding Stunt Coordination for a Series | Rowley Irlam | Won |
Release[edit]
Download Game Of Thrones Season 7 Score Today
Broadcast[edit]
The season was simulcast around the world by HBO and its broadcast partners in 186 countries. In some countries, it aired the day after its first release.[70]
Marketing[edit]
On July 23, 2016, a teaser production trailer was released by HBO at the 2016 San Diego Comic-Con. The trailer mostly consisted of voice overs, and shots of crew members creating sets and props.[112] The first footage from the season was revealed in a new promotional video released by HBO highlighting its new and returning original shows for the coming year on November 28, 2016, showcasing Jon Snow, Sansa Stark and Arya Stark.[113][114]
On March 1, 2017, HBO and Game of Thrones teamed up with Major League Baseball (MLB) for a cross-promotional partnership. At least 19 individual teams participated in this promotion.[115] On March 8, 2017, HBO released the first promotional poster for the season ahead of the SXSW Festival in Austin, Texas, which teases the battle of 'ice vs. fire'. Showrunners Benioff and Weiss also spoke at the event, along with fellow cast members Sophie Turner and Maisie Williams.[116]
On March 9, 2017, HBO hosted a live stream on the Game of Thrones Facebook page that revealed the premiere date for the seventh season as being July 16, 2017. It was accompanied by a teaser trailer.[2] On March 30, 2017, the first official promo for the show was released, highlighting the thrones of Daenerys Targaryen, Jon Snow, and Cersei Lannister.[117] On April 20, 2017, HBO released 15 official photos shot during the season.[118] On May 22, 2017, HBO released several new photos from the new season.[119] On May 23, 2017, HBO released the official posters featuring the Night King.[120] The first official trailer for season 7 was released on May 24, 2017.[27] The trailer set a world record for being the most viewed show trailer ever, being viewed 61 million times across digital platforms, in the first 24 hours.[121] The second official trailer was released on June 21, 2017.[26] The season premiere was screened at the Walt Disney Concert Hall in Los Angeles on July 12, 2017.[122]
Home media[edit]
The season was released on Blu-ray and DVD in region 1 on December 12, 2017.[123][124]
Illegal distribution[edit]
The season premiere was pirated 90 million times in the first three days after it aired.[125] On August 4, 2017, it was reported that, two days before its original broadcast, the fourth episode of the season was leaked online from Star India, one of HBO's international network partners.[126] The leaked copy has the 'for internal viewing only' watermark. On July 31, 2017, due to a security breach, HBO was the victim of 1.5 terabytes of stolen data.[127] However, 'this was not related to this episode leak', according to The Verge.[128] On August 16, 2017, four days before its intended release, it was reported that HBO Spain and HBO Nordic accidentally allowed the sixth episode of the series on-demand viewing for one hour before being removed.[129]
Data from piracy monitoring firm MUSO indicates that season seven was pirated more than one billion times mostly by unauthorized streaming, with torrent and direct downloads accounting for about 15 percent of this piracy. On average, each episode is estimated to have been pirated 140 million times,[130] making Game of Thrones the most-pirated television series in 2017.[131]
Game Of Thrones Season 7 Direct Download
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External links[edit]
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- Official website – (U.S.)
- Official website – (U.K.)
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- List of Game of Thrones episodes at TV.com
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